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Artwork from left to right: Dolores Skowronski-Malloni - Corymbia ficifolia & Eucalyptus caesiaArtwork from left to right: Harriet O’Donnell - Cymbidium ‘Golden Elf’, Leda Turner - Aeonium arboretum, Ann Hodgkinson - Telopea Shady Lady RedArtwork from left to right: Sharon Field – Banksia integrifolia, Angela Lober – Waratah, Linda Lunnon – Flannel flowersArtwork from left to right: Thea Clark – Sunflowers, Mary Ann Mein - Daucus carota - Wild carrot seed head, Lee  Machain - Amaryllis AmoreArtwork from left to right: Tanya Hoolihan - Strelitzia nicolai, Brenda Haas - Corymbia ficifolia, Maura Chamberlain - Richea dracophyllaArtwork from left to right: Halina  Steele - Syzygium suborbiculare, David Reynolds - Banksia serrata, Lynne Uptin - Hakea laurinaArtwork from left to right: Heather Simkin – Pumpkin, John Pastoriza Pinol – Mangosteens, Rochelle Maree - Sorrento pearArtwork from left to right: Frances Spain – Chinese elm, Sandra Cumming - Eucalyptus rhodantha - pink rose mallee, Joanna Thomas - Dahlia hybridArtwork from left to right: Andrew Carr - Eucalyptus conferruminata buds, flowers and gumnuts

Anna Voytsekhovich

Connections: Eastern Suburbs Banksia Scrub

Awarded August 2025

The aim of this project is:

To celebrate and raise awareness of the critically endangered Eastern Suburbs Banksia Scrub (ESBS), a unique ecological community of Sydney’s coastline. Over 12 months, the artist will create a body of highly detailed botanical artworks that capture both the character of individual species and their intricate symbiosis within the ecosystem. By painting and exhibiting these works, the project aims to draw public attention to the urgent issues of conservation, regeneration, and the interdependence of native flora.

Project description

The project will unfold across three stages (four months each), combining fieldwork, studio practice, public engagement, and exhibition.

Stage 1

    • Tasks: Collect reference material; draw and paint species both in situ and in the studio; begin framing. Deliver an Artist Talk for the Botanical Art Society of Australia (BASA).
    • Outcome: 5–6 artworks completed. BASA members introduced to the conservation significance of ESBS and the unique challenges of illustrating rare and endangered flora.

Stage 2

    • Tasks: Continue drawing and painting in situ and in the studio; frame completed works. Lead a public workshop on drawing and painting seasonal ESBS species in situ.
    • Outcome: 5–6 additional artworks completed. Broader community members gain awareness of ESBS conservation and learn the importance of documenting endangered native flora through art.

Stage 3

    • Tasks: Finalise artworks and framing; curate and present a solo exhibition Connections: Eastern Suburbs Banksia Scrub; deliver an Artist Talk and demonstration during the exhibition; donate unsold works to the Florilegium Society and Bushcare Volunteers of Bonnie Doon Golf Club; submit final report.
    • Outcome: Approximately 15 artworks exhibited. Public audiences engage with the beauty and ecological value of the ESBS through both art and conversation. Unsold works are gifted to conservation organisations (The Florilegium Society at the Royal Botanic Gardens and Bushcare Volunteers Group of Bonnie Doon Golf Club) for future display, extending the project’s impact and promoting both botanical art and ecological stewardship.

The Botanical Art Society of Australia Inc.
PO Box 1007
Mitcham North VIC 3132

ABN 14 809 478 761

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